Outra música que foi composta para os Beatles:
“Another song started in India and completed in Scotland and London, gradually. This one was recorded for Get Back film but later not used. Rerecorded partly at home…(guitar,voices and bass)…and finished at Morgan. Linda and I sing the backing harmonies on the chorus and occasional oos.” -McCartney 1970
Aqui, a versão que entrou no terceiro volume do Anthology:
Prefiro a versão do disco solo.
“Junk” de novo, agora só instrumental:
“This was take 1 for the vocal version which was take 2 and a shorter version. Guitars and piano and bass were put on at home and the rest added at Morgan Studios. The strings are Mellotron and they were done at the same time as the electric guitar, bass drum and sizzle cymbal.” -McCartney 1970
A música também reapareceu no Acústico da MTV:
Que música. Às vezes acho que é a melhor música do Paul e eu tenho certeza de que é uma das músicas mais bonitas do mundo:
“Written in London at the piano with the second verse added slightly later, as if you cared. Recorded at EMI, in No.2 Studio
1 piano
2 vocal
3 drums
4 bass
5 and vocal backing
6 and vocal backing
7 solo guitar
8 backing guitars
Linda and I are the vocal backing group. Mixed at EMI. A movie was made using Linda’s slides and edited to this track.” -McCartney 1970
De novo? Vamos ao vivo, em 1973:
A mesma música, em 74, no estúdio:
Agora em 76, em Seattle:
Ah, eu poderia ficar assim pra sempre…
“There was a film on tv about the Kreen Akrore Indians living in the Brazilian jungle, their lives and how the white man is trying to change their way of life to his, so the next day after lunch I did some drumming. The idea behind it was to get the feeling of their hunt. So later piano, guitar and organ were added to the first section. The second had a few tracks of voices (Linda and I) and the end had overdubbed breathing, going into organ and two lead guitars in harmony. Done at Morgan. Engineer, Robin Black. The end of the first section has Linda and I doing animal noises (speeded up) and an arrow sound (done live with bow and arrow – the bow broke), then animals stampeding across a guitar case. There are two drum tracks. We built a fire in the studio but didn’t use it (but used the sound of the twigs breaking).” -McCartney 1970
Os índios Kreen-Akrore são mais conhecidos no Brasil como índios Paraná.
Composta no piano de sua casa quando ele tinha apenas 14 anos, “Suicide” nunca foi lançada oficialmente, embora aparecesse em menos de dez segundos no final de “Glasses” e tenha sido oferecida a ninguém menos que Frank Sinatra (que respondeu na lata: “Esse cara tá me tirando?”). É uma das canções em que o beatle mais exercita seu flerte com a música norte-americana e os musicais da Broadway (a lista é enorme: “Maxwell’s Silver Hammer”, “Honey Pie”, “Your Mother Should Know”, “When I’m 64″…) e dá para ver como ele se diverte fazendo o sotaque americano. Embora não tenha lançado-a, Paul já registrou “Suicide” algumas vezes: no vídeo acima ela foi gravada em 1969, ainda nos Beatles; no de baixo, temos seu registro em 1975 para o documentário sobre os Wings que nunca foi lançado, chamado One Hand Clapping, e no vídeo do final, ele a apresenta no programa Michael Parkinson Show,em 2001.
C Em
Girls it’s been my pleasure
G Dm7 C
To know quite a lot of you
Dm7
And in the main
C
You’re pretty sane, it’s true
Dm7
But there are a few who do
C
The duty to do too beautiful a job
Dm7 C
It isn’t quite what they planned
Dm7 C
The man gets the upper hand
Dm7 C
He’s takin’ her for a ride
Dm7 C
I call it… S uicide
C Dm7 Em
If when she tries to run away
G C
And he calls her back, she comes
C Dm7 Em
If there’s a next time, he’s ok
G C
Cause she’s under both his thumbs
Em Dm7
She limps along to his side
G
Singing a song of ruined life
C Dm7
Daddy says nothin’ doin’
Dm7 C
Ah—
G C
I call it… S uicide
C Dm7 Em
She loves to ride in big parades
G C
But he wouldn’t so she won’t
C Dm7 Em
She needs at least a dozen lays
G C
But if he says no she don’t
Em Dm7
He wishes she knew his sign
G
Soon there’ll be trouble brewin’ ah—
C Dm7
Daddy says nothin’ doin’
Dm7 C
Ah—
G C
I call it… S uicide
C Em Dm7 G
Sui cide, she’s com mitin’ it
C Em Dm7 G
Sui cide, he’s not gettin’ it
C Em Dm7 G C
Sui cide, it’s a quittin’ a day
Em Dm7
She limps along to his side
G
Singing a song of ruined life
“Lovely Linda”
“When the Studer 4-track was installed at home, this was the first song I recorded, to test the machine. On the first track was vocal and guitar, second track another acoustic guitar, then I overdubbed hand slaps on a book and finally bass. Written in Scotland, the song is a trailer to the full song which will be recorded in the future.” -McCartney 1970
“That was when Linda and I first got together. The record is me playing around the house. You hear her walking through the living room doorway out to the garden and the door squeaks at the end of the tape. That’s one of the songs from my personal experience, with “the flowers in her hair.” She often used to wear flowers in her hair, so it’s a direct diary. I was always going to finish it and I had another bit that went into a Spanish song, almost mariachi but it just appeared as a fragment and was quite nice for that reason. It opened the McCartney album, so it’s evocative of it now.” -McCartney 2001
“That Would Be Something” ao vivo no Unplugged da MTV (1991)
“That Would Be Something”
“This song was written in Scotland in 1969 and recorded at home in London – mixed later at EMI(No.2). I only had one mike, as the mixer and V.U. meters hadn’t arrived (still haven’t).” -McCartney 1970
Eis Zeca Branco na Casa Branca tocando uma música do Álbum Branco – desculpa, não resisti. Jack foi um dos convidados da cerimônia de premiação usada como desculpa pro Obama ter tempo pra ver um showzinho em casa. E que showzinho: Paul McCartney: The Library of Congress Gershwin Prize for Popular Song In Performance at the White House é um documentário feito pelo canal público americano PBS e que será exibido pela primeira vez depois de amanhã (e, provavelmente, nas redes de torrent do mundo a partir de quinta-feira). No programa, como entregue no título, assistirá-se ao show feito pelo velho Beatle na Casa Branca no último dia 2 de junho, quando o presidente americano lhe conferiu o prêmio Gershwin pela Canção Popular. Além do show particular do Macca (eis uma das vantagens de ser presidente dos EUA), Obama ainda assistiu a apresentações de Stevie Wonder, Elvis Costello, Herbie Hancock, Dave Grohl, Emmylou Harris e outros menos cotados, além do Jack White aí de cima, dando uma vibe American gothic à árcade “Mother’s Nature Son” ao misturá-la com “That Would Be Something“, do primeiro disco solo do Paul. Ficou djóia.
“Recorded at home. Made up as I went along – acoustic guitar first, then drums (maybe drums were first). Anyway – electric guitar and bass were added and the track is all instrumental. Mixed at EMI. This one and Momma Miss America were ad-libbed with more concern for testing the machine than anything else.” -McCartney 1970
“Rock’n’roll Springtime – Take one!”
“An instrumental recorded completely at home. Made up as I went along – first a sequence of chords, then a melody on top. Piano, drums, acoustic guitar, electric guitar. Originally it was two pieces but they ran into each other by accident and became one.” -McCartney 1970