Trabalho Sujo - Home

Video

Viram a campanha nova da Levi’s?

Que timing. Pena que não foi proposital – tanto que já suspenderam a campanha. Vi no Merigo.

O André citou esse vídeo num comentário de post e me ocorreu: será que vão achar assunto pra autotunar algum falante londrino?

Material pra isso é o que não falta:

Na GQ. Dica do Vinícius.

Ficaram achando que eu peguei no pé do Wagner Moura à toa (ele também tentou cantar uma versão para “Creep”, do Radiohead), mas olha o nível dessa interpretação do Conan O’Brien, improvisando em frente às câmeras antes de seu programa entrar ao vivo, com os Edward Sharpe & the Magnetic Zeros como banda de apoio. A pequena diferença em relação a Wagner: Conan não está querendo convencer ninguém de que ele é cantor.

Se o vídeo sair do ar, dá pra assisti-lo aqui.


Best Coast Our Deal Official Music Video por Flixgr

E o clipe novo do Best Coast (dirigido pela Drew Barrymore e estrelado pela menina do Kick Ass, Chloe Moretz), lançado há duas semanas, de alguma forma mostra que os tumultos de Londres 2011 já estavam no zeitgeist…

Foi comprovado cientificamente, O Campeão (aquele, da Sessão da Tarde) é o filme mais triste de todos os tempos. Diz a revista do Instituto Smithsonian:

The Champ has been used in experiments to see if depressed people are more likely to cry than non-depressed people (they aren’t). It has helped determine whether people are more likely to spend money when they are sad (they are) and whether older people are more sensitive to grief than younger people (older people did report more sadness when they watched the scene). Dutch scientists used the scene when they studied the effect of sadness on people with binge eating disorders (sadness didn’t increase eating).

The story of how a mediocre movie became a good tool for scientists dates back to 1988, when Robert Levenson, a psychology professor at the University of California, Berkeley, and his graduate student, James Gross, started soliciting movie recommendations from colleagues, film critics, video store employees and movie buffs. They were trying to identify short film clips that could reliably elicit a strong emotional response in laboratory settings.

It was a harder job than the researchers expected. Instead of months, the project ended up taking years. “Everybody thinks it’s easy,” Levenson says.

Levenson and Gross, now a professor at Stanford, ended up evaluating more than 250 films and film clips. They edited the best ones into segments a few minutes long and selected 78 contenders. They screened selections of clips before groups of undergraduates, eventually surveying nearly 500 viewers on their emotional responses to what they saw on-screen.

Some film scenes were rejected because they elicited a mixture of emotions, maybe anger and sadness from a scene depicting an act of injustice, or disgust and amusement from a bathroom comedy gag. The psychologists wanted to be able to produce one predominant, intense emotion at a time. They knew that if they could do it, creating a list of films proven to generate discrete emotions in a laboratory setting would be enormously useful.

Scientists testing emotions in research subjects have resorted to a variety of techniques, including playing emotional music, exposing volunteers to hydrogen sulfide (“fart spray”) to generate disgust or asking subjects to read a series of depressing statements like “I have too many bad things in my life” or “I want to go to sleep and never wake up.” They’ve rewarded test subjects with money or cookies to study happiness or made them perform tedious and frustrating tasks to study anger.

“In the old days, we used to be able to induce fear by giving people electric shocks,” Levenson says.

E a cena, clássica indutora às lágrimas:

Leia o resto aqui.

A chapa tá quente…

Ao que tudo indica, os tumultos em Londres não terminaram…

QUEBRATUUUU…Ops

Maior agito em Londres…

E se tudo isso for uma bomba-relógio sendo detonada na hora certa?

Não era imprevisível, como dizem Mary Riddell, no Telegraph…

It is no coincidence that the worst violence London has seen in many decades takes place against the backdrop of a global economy poised for freefall. The causes of recession set out by J K Galbraith in his book, The Great Crash 1929, were as follows: bad income distribution, a business sector engaged in “corporate larceny”, a weak banking structure and an import/export imbalance.

All those factors are again in play. In the bubble of the 1920s, the top 5 per cent of earners creamed off one-third of personal income. Today, Britain is less equal, in wages, wealth and life chances, than at any time since then. Last year alone, the combined fortunes of the 1,000 richest people in Britain rose by 30 per cent to £333.5 billion.

Europe’s leaders, our own Prime Minister and Chancellor included, were parked on sun-loungers as London burned. Although the epicentre of the immediate economic crisis is the eurozone, successive British governments have colluded in incubating the poverty, the inequality and the inhumanity now exacerbated by financial turmoil.

Britain’s lack of growth is not an economic debating point or a stick with which to beat George Osborne, any more than our deskilled, demotivated, under-educated non-workforce is simply a blot on the national balance sheet. Watch the juvenile wrecking crews on the city streets and weep for all our futures. The “lost generation” is mustering for war.

…E Nina Power, no Guardian:

Combine understandable suspicion of and resentment towards the police based on experience and memory with high poverty and large unemployment and the reasons why people are taking to the streets become clear. (Haringey, the borough that includes Tottenham, has the fourth highest level of child poverty in London and an unemployment rate of 8.8%, double the national average, with one vacancy for every 54 seeking work in the borough.)

(…)

Images of burning buildings, cars aflame and stripped-out shops may provide spectacular fodder for a restless media, ever hungry for new stories and fresh groups to demonise, but we will understand nothing of these events if we ignore the history and the context in which they occur.