G
Help the aged
C
One time they were just like you
G
Drinking, smoking cigs and sniffing glue
G
Help the aged
C
Don’t just put them in a home
G
Can’t have much fun when their all on their own
C
Give a hand if you can
G
Try and help them to unwind
C
Give them hope and give them comfort
G
Cos they’re running out of time
G
In the meantime we try
B
Try to forget that nothing lasts forever
C D
No big deal – so give us all a feel
C G
Funny how it all falls away
G
When did you first realise
B
It’s time you took an older lover baby?
C D
Teach you stuff – although he’s looking rough
C G
Funny how it all falls away
G
Help the aged
C
Cos one day you’ll be older too
G
You might need someone who can pull you through
C
And if you look very hard
G
Behind those lines upon their face
C
You may see where you are headed
G
And it’s such a lonely place
G
In the meantime we try, ha
B
Try to forget that nothing lasts forever
C G
No big deal – so give us all a feel
C G
Funny how it all falls away
G
When did you first realise
B
It’s time you took an older lover baby?
C G
Teach you stuff – although he’s looking rough
C G
Funny how it all falls away
Oh
C
You can dye your hair
G D C
But it’s the one thing you can change
D
Can’t run away from yourself
Yourself
Your se-se-se-se-se-se-se-se-se-se-se-seooohh
G
In the meantime we try (ooh ooh ooh ooh)
B
Try to forget that nothing lasts forever
C G
No big deal – so give us all a feel
C G
Funny how it all falls away
G
When did you first realise
B
It’s time you took an older lover baby?
C G
Teach you stuff – although he’s looking rough
C G
Funny how it all falls away
C G
Oh it’s funny how it all falls away
C G
Funny how it all falls away
C G
Oh it’s funny how it all
C G
It all falls away
G
So help the aged
F Fsus4 Bb Bbsus4
F
Well we were born within an hour of each other
Our mothers said we could be sister and brother
Bb
Your name is Deborah. Deborah – it never suited you
F
Oh and they said that when we grew up
We4d get married and never split up
Bb
We never did it, although I often I thought of it
Cm [Csus2]
Oh Deborah, do you recall?
Cm Cm
Your house was very small with wood-chips on the wall
Cm F
When I came around to call you didn4t notice me at all
Bb
And I said “Let4s all meet up in the year 2000
Dm Gm
Won4t it be strange when we4re all fully grown?
Cm Fsus4 F
Be there two o4clock by the fountain down the ro—–ad”
Bb
I never knew that you4d get married
Dm Gm
I would be living down here on my own
Cm F
On that damp and loney Thursday years ago
F
You were the first girl in school to get breasts
Martyn said that you were the best
Bb
The boys all loved you but I was a mess
I had to watch them try to get you undressed
F
We were friends that was as far as it went
I used to walk you home sometimes but it meant
Bb
Oh, it meant nothing to you – cos you were oh so popular
Cm
Oh Deborah, do you recall?
Your house was very small with wood-chips on the wall
F
When I came around to call you didn4t notice me at all
Bb
And I said “Let4s all meet up in the year 2000
Dm Gm
Won4t it be strange when we4re all fully grown?
Cm F
Be there two o4clock by the fountain down the road”
Bb
I never knew that you4d get married
Dm Gm
I would be living down here on my own
Cm F
On that damp and loney Thursday years ago
F Bb
Oh yeah, oh yeah
Cm
Oh Deborah, do you recall?
Your house was very small with wood-chips on the wall
F
When I came around to call you didn4t notice me at all
Bb
And I said “Let4s all meet up in the year 2000
Dm Gm
Won4t it be strange when we4re all fully grown?
Cm F
Be there two o4clock by the fountain down the road”
Bb
I never knew that you4d get married
Dm Gm
I would be living down here on my own
Cm F
On that damp and loney Thursday years ago
Bb
Oh, what are you doing Sunday, baby?
Dm
Would you like to come and meet me maybe?
Gm Cm F
You can even bring your baby, oh.
Bb
Oh, what are you doing Sunday, baby?
Dm
Would you like to come and meet me maybe?
Gm Cm F
You can even bring your baby, oh. ooh oh oh oh….
Intro: G C
C A D G
When you raise your pencil skirt like a veil before my eyes
C A D G
Like the look upon his face as he’s zipping up his flies, oh
C A D G
But I know that you’re engaged to him, oh
C A D G
But I know you want something to play with baby
Em
I’ll be around when he’s not in town, oh
C
Yeah I’ll show you how you’re doing it wrong, oh
Em
I really love it when you tell me to stop, oh oh
D G
Oh it’s turning me on
C A D G
Now you can tell some lies about the good times that you’ve had
C A D G
But I’ve kissed your mother twice and now I’m working on your dad, oh baby
Em x4
I’ll be around when he’s not in town, oh
C
Oh yeah, I’ll show you how you’re doing it wrong, oh
Em x4
I really love it when you tell me to stop, oh oh
D G
Oh it’s turning me on
C A D G (x2)
C A D G
If you look under the bed then I can see my house from here
C A D G
So just lie against the wall and watch my conscience disappear, now baby oh
Em
Yeah, I’ll be around when he’s not in town, oh
C
Oh yeah, I’ll show you how you’re doing it wrong, oh
Em
I really love it when you tell me to stop, oh oh
D G
Oh it’s turning me on, on, on, yeah
Em
I only come here cause I know it makes you sad
C
I only do it cause I know you know it’s bad.
Em
Oh don’t you know it’s ugly and it shouldn’t be like that.
D G
Oh but oh it’s turning me on, on, on, on, on, on, on.
C A D G
D/Dmaj7 Em/Em7 A/A6 X2
D Em A
The word’s on the street: you’ve found someone new.
D Em A
If he looks nothing like me I’m so happy for you.
C A D F#
I heard an old girlfriend has turned to the church –
C A D
she’s trying to replace me, but it’ll never work.
Bm
‘Cos every touch reminds you of just how sweet it could have been
Em G
And every time he kisses you it leaves behind the
D
bitter taste of saccharine.
D Em A
A bad cover version of love is not the real thing.
D Em A
Bikini-clad girl on the front who invited you in.
C A D F#
Such great disappointment when you got him home –
C A D
the original was so good; the one you no longer own.
Bm
And every touch reminds you of just how sweet it could have been
Em G
And every time he kisses you, you get the taste of saccharine.
Bm
It’s not easy to forget me, it’s so hard to disconnect
Em G
When it’s electronically reprocessed to give a more life-like effect.
G
Aah, sing your song about all the sad imitations that
D
got it so wrong
D Em
It’s like a later “Tom & Jerry” when the two of them could talk
A G
Like the Stones since the Eighties, like the last days
D
of Southfork.
D Em
Like “Planet of the Apes” on TV, the second side of “‘Til the Band Comes in”
A
Like an own-brand box of cornflakes: he’s going to let
D
you down my friend.
F Bb
Don’t Bother saying you^?re sorry
F Bb
Why don’t you come in
F Bb C
Smoke all my cigaretts… again
F Bb
Every time I get no further
F Bb
How long has it been
F Bb C
Come on in now, wipe your feet, on my dreams
F Bb
You take up my time
F Bb
Like some cheap magazine
F Bb
When I could have been learning something
C
Oh, Well you know what I mean
F Bb
Oh, Iv’e done this before
F Bb
And I will do it again
F
Bb C
Come on and kill me baby, oh while you smile like a friend
F Bb C
Oh, and I’ll come running
F
Just to do it Again…
F Bb C
You are the last drink I never should have drunk
You are the body hidden in the trunk
You are the habit I can’t seem to kick
You are my secrets on the front page every week
You are the car I never should have bought
You are the dream I never should have caught
You are the cut that makes me hide my face
You are the party that makes me feel my age
Like a car crash I can see but I just can’t avoid
Like a plane I’ve been told I never should board
Like a film that’s so bad but I’ve got to stay till the end
Let me tell you now: it’s lucky for you that we’re friends.
Aumente o volume do seu cérebro.
Pulp – “This is Hardcore”
Hail Social – “Cherry Cola Funk”
Gnarls Barkley – “Smiley Faces”
Bird & the Bee – “I Can’t Go For That (No Can Do)”
Kamau + Emicida – “Kombwe”
Diversitrônica – “Cicarelli”
Tulipa Ruiz – “Pedrinho”
Grizzly Bear – “Two Weeks”
Breakbot – “Make You Mine”
Abba – “Gimme Gimme Gimme (A Man After Midnight)”
Beastie Boys – “3-Minute Rule”
Jurassic 5 – “Concrete Schoolyard”
Kinks – “Sittin’ on My Sofa”
Rolling Stones – “Ventilator Blues”
E por falar em Air, a dupla francesa fez há um mês uma série de shows no Cité de La Musique, em Paris, em que convidou amigos para dividir o palco, como o líder do Pulp, Jarvis Cocker, o trio nova-iorquino Au Revoir Simone e a dupla Hotrats, ninguém menos que Gaz Coombes e Danny Goffey, que eram do Supergrass. No YouTube tem muito mais vídeos desses shows, vale ir atrás.
“Cherry Blossom Girl” com Au Revoir Simone
“This is Hardcore”, do Pulp, com Jarvis Cocker
“Playground Love”, com os Hotrats
Volto a insistir: e um show do Air no Brasil, hein… Ninguém se anima a trazer?
Updeite: it will roll, se liga!
Que Gente Bonita ótima foi essa no Rio de Janeiro… Deixa eu seguir o clima por aqui, só que pra dançar dentro da cabeça – sem vocal dessa vez por motivos de pressa…
Chemical Brothers – “Swoon (Lindstrom and Prins Remix)”
Breakbot + Irfane- “Baby I’m Yours”
Foals – “Total Life Forever”
Chromeo – “Don’t Turn the Lights On”
Florence + the Machine – “Addicted to Love”
Maria Bethania – “Estácio Holy Estácio”
Bonifrate – “Substâncias Cósmicas”
Eminem – “The Real Slim Shady”
Two Door Cinema Club – “Something Good Can Work”
William Shatner – “Common People”
Bo$$ in Drama – “I’ve Got Tonight”
Kavinsky + Lovefoxxx – “Nightcall (Breakbot Remix)”
Lissie – “Pursuit of Happiness”
Passion Pit – “Tonight Tonight”
Jamaica – “I Think I Like U 2 (Database Remix)”
F.U.E.L. – “VuvuvuZela”
Mesmo esquema da semana passada, dando uma geral em períodos históricos recentes bem distintos.
Rolling Stones – “Dancing with Mr. D”
Beck – “I’ll Be Your Mirror”
Cream – “Wrapping Paper”
Pulp – “Birds in Your Garden”
Jorge Ben – “Eu Sou Da Pesada”
Cyz – “Eu Tenho Pena”
Pacific! – “Hot Lips”
Digitalism – “Digitalism in Cairo”
Gal Costa – “Tuareg”
Pink Floyd – “Free Four”
Deep Purple – “Lazy”
XTC – “Merely a Man”
Miike Snow – “Cult Logic”
Céu – “Comadi”
Silver Jews – “People”