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Leitura Aleatória 245


crazyBobcat

1) E a Capitol segue ganhando grana com o Radiohead – vai lançar versões esticadas dos três primeiros discos da banda
2) Disco novo do Sonic Youth à vista
3) Consultor jurídico da ABPD diz que P2P é a desgraça do direito autoral e que falta boa-fé ao Creative Commons
4) Samuel L. Jackson pode não ser mais Nick Fury
5) Seth Rogen vai escrever um episódio dos Simpsons
6) Manu Chao no Brasil
7) Revistas americanas sentem no bolso a diminuição de anunciantes
8) Porque Alan Moore devia deixar de frescura e assistir Watchmen
9) Fox cancela Prison Break
10) 95% dos downloads de música são ilegais, diz indústria

50 anos da Motown: Temptations – “My Girl”

I’ve got sunshine
On a cloudy day.
When it’s cold outside,
I’ve got the month of May.

Well, I guess you’ll say
What can make me feel this way?
My girl. (My girl, my girl)
Talkin’ ‘bout my girl. (My girl)

I’ve got so much honey
The bees envy me.
I’ve got a sweeter songThan the birds in the trees.

Well, I guess you’ll say
What can make me feel this way?
My girl. (My girl, my girl)
Talkin’ ‘bout my girl. (My girl)

Ooooh, Hoooo.

Hey, hey, hey.
Hey, hey, hey.

I don’t need no money,
Fortune or fame.
I’ve got all the riches, baby,
One man can claim.

Well, I guess you’ll say
What can make me feel this way?
My girl. (My girl, my girl)
Talkin’ ‘bout my girl. (My girl)

Talkin’ bout my girl.
I’ve got sushine on cloudy day
With my girl.
I’ve even got the month of May
With my girl

On the Run 41: Discobot @ Music Holiday

A vantagem com que Florianópolis conta por não ter estabelecido uma cena musical própria em qualquer esfera de reconhecimento nacional é que não há expectativa em relação ao que pode sair de lá. E, sim, há uma certa fervura na cena da ilha que tem a ver com a ida do ex-VJ Gastão para a lá (e a posterior inauguração de sua casa noturna, a Célula), a criação da cooperativa de bandas Clube da Luta e da coluna do jornalista e compadre Marquinhos Espíndola, a Contracapa, e, claro, ao trabalho incansável de bandas como Pipodélica e Ambervisions que passaram a década insistindo em fazer música. Aí qual é a surpresa quando o primeiro nome da nova geração é uma dupla que desce a bordoada em sets com grooves sincompados e distorcidos? A dupla Discobot não faria feio nem em São Paulo nem em qualquer outra cidade do mundo e, pelo jeito, eles são só o começo de uma novíssima geração. Falarei mais disso durante essa semana. Enquanto isso, sente esse set que, gravado ao vivo, enfileira só remixes:

Discobot @ Music Holiday (MP3)

Nirvana – “Smells Like Teen Spirit (Patrick Alavi Rerox)”
Dirty Secrets – “5 Feet of Snow (Miami Horror Remix)”
Cut Copy – “Lights & Music (Moulinex Remix)”
Heartsrevolution – “CYOA (Flosstradamus Remix)”
Chromeo – “Fancy Footwork (Mr. Miyagi Remix)”
Teenage Bad Girl – “Hands of Stranger (Yuksek Remix)”
Tronik Youth – “Laugh Cry Live Die (Grum Remix)”
The Galvatrons – “When We Were Kids (Bag Raiders Remix)”
VHS or Beta – “Can’t Believe a Single Word (LA Riots Remix)”
Playdoe – “It’s That Beat (Toxic Avenger Remix)”
Justice – “DVNO (LA Riots Bootleg Remix)”
MSTRKRFT – “Vuvuvu”

As 50 melhores músicas de 2008: 32) Mickey Gang – “I Was Born in the 90s”

Num ano em que uma das principais protagonista foi uma menina de 15/16 anos, quatro moleques um pouco mais velhos que isso (mas com menos de 20 anos) surgiam de Colatina, no interior do Espírito Santo, cantando a seguinte canção:

“I was born in the 90s and asked my mom
“Why did i came so late?”
Cause all my friends born in 80s
And i’m still lost in 90s
Oh my god, something isn’t OK

When i go to the club
Waiting DJ play J-Lo
The only thing i hear is another Devo song
I wish Spice Girls were younger
So they could save the world

I was born in the 90s

(91 or 92 or 93 or 94)
We were all born silly guys
Now all we think is about fuck

(I’d say I love Prince if you stay
Come and wash my “Purple Rain”)

I still love my walkman
Cause these ipods are only trends

Come to my house
Spend the afternoon watching friends
Then we could go my room
Do the “Macarena” dance
Can’t touch this?
Can’t touch this?
Don’t go on baby cause it’s not working
I’m horny but I’m not a slut
I was born in the 90s

Save my posters of Backstreet Boys
My Nintendo and Lion King box
Hold on mother I’m coming home tonight”

Toda “I Was Born in the 90s” é noventista: irônica, cospe referências como se precisasse delas para parar em pé, transformando pós-punk inglês em hit de rádio, enquanto finge apatia e casa riffs secos com bateria crua e camas de teclado que resvalam no gótico. E a música é uma demo. Forma e conteúdo não se distinguem e faz com que a Gangue do Mickey soe moderna e retrô ao mesmo tempo – algo como se o tema dos anos 00 fossem a volta dos anos 00.

32) Mickey Gang – “I Was Born in the 90s (Demo)

“Fluorescent Adolescent” – Arctic Monkeys

Intro E C#m F#m B (x2)

E
You used to get it in your fishnets
C#m
Now you only get it in your night dress
F#m
Discarded all the naughty nights for niceness
B
Landed in a very common crisis
E
Everything’s in order in a black hole
C#m
Nothing seems as pretty as the past though
F#m
The Bloody Mary’s lacking her Tabasco
B
Remember when you used to be a rascal?

F#m-F#m (N/C)
Oh the boy’s a slag
B-B (N/C)
The best you ever had
F#m-F#m F#m-F#m
The best you ever had
B-B B-B F#m
Is just a memory and those dreams
B
But as daft as they seem
F#m (N/C)
As daft as they seem
A (N/C)
My love when you dream them up…

E
Flicking through a little book of sex tips
C#m
Remember when the boys were all electric?
F#m
Now when she’s told she’s gonna get it
B
I’m guessing that she’d rather just forget it
E
Clinging to not getting sentimental
C#m
Said she wasn’t going but she went still
F#m (N/C)
Likes her gentlemen not to be gentle
B (N/C)
Was it a Mecca dauber or a betting pencil?

F#m
Oh the boy’s a slag
B
The best you ever had
F#m
The best you ever had
B F#m-F#m
Is just a memory and those dreams
B-B
But as daft as they seem
F#m
As daft as they seem
A
My love when you dream them up

G#m C#m
Oh-oh, where did you go?
F#m
Where did you go?
G#m F#m
Where did you go? oh-Oh

E-E-E C#m-C#m-C#m F#m-F#m B-B-B-B

E-E-E C#m-C#m-C#m
Falling about
F#m-F#m B-B-B-B
You took a left off Last Laugh Lane
E-E-E C#m-C#m-C#m
You were just sounding it out
F#m-F#m-F#m B-B-B-B-B-B-B-B
You’re not coming back again.

G#m-G#m-G#m-G#m-G#m-G#m-G#m-G#m

E C#m
Falling about
F#m B
You took a left off Last Laugh Lane
E C#m
You were just sounding it out
F#m B
But you’re not coming back again.

E
You used to get it in your fishnets
C#m
Now you only get it in your night dress
F#m
Discarded all the naughty nights for niceness
B
Landed in a very common crisis
E
Everything’s in order in a black hole
C#m
Is everything as pretty as the past though
F#m
That Bloody Mary’s lacking in Tabasco
B
Remember when you shoulda been a rascal?

C#m

O Superman

Olha como a Época recebe o novo presidente americano:

Aí tu entra na matéria e eles tascam de cara:

Depois da posse mais festejada da história americana, Obama vai começar seu governo com os olhos voltados para o exemplo de Abraham Lincoln

Er…