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Arte: Stanley Donwood

Donwood é o Radiohead-visual: ele que cuida de todo o design da banda desde The Bends, sempre contando com dicas dos integrantes do grupo, principalmente Thom Yorke. E ao abrir uma exposição em Londres na mesma semana em que o Radiohead lança seu novo disco, ele quase que pediu para ser entrevistado sobre o disco – mais especificamente sobre o conceito de “álbum-jornal” -, que foi o que o Independent fez:

Though it is a “new” development for music, the newspaper format is not a new direction for Donwood – papers are a constant of his career. His fascination with the medium began when he worked as a paper boy and found direction later in producing jokey newspapers for festivals.

From 2006, he found a more focused role for the format, using it to promote and explain his work. For example, for a 2010 San Francisco show he produced a special issue of his newspaper, Over Normal.

“I love the tactile nature of the newsprint,” says Donwood. “I love the history of Fleet Street (which featured in The Eraser’s art), the revolution that was moving type and how it meant that, for the first time, people were able to educate and inform themselves in an accessible way.”

In his commitment to the format, of which the new Radiohead LP is the latest manifestation, Donwood is part of a growing movement of boutique news-printing – small-run, micro-focused newspaper publications. The popularity is such that The Newspaper Club prints news for anything from school papers and wedding souvenirs to corporate clients such as Liberty and Wired. Also printing are artists capitalising on the romance of newsprint, and the author Dave Eggers, who started his own bespoke San Francisco Panorama – a 320-page broadsheet featuring art and writing from the likes of Michael Chabon.

People harking back to newsprint in a digital age does not surprise Donwood. For him, papers are archives in a way websites cannot be. “A newspaper is a snapshot; a physical record of how things are. If you turned the electricity off, digital records would all disappear, but newspapers have the physical reality, the longevity, and that’s brilliant.”

Bem dito, Stan.

É de fã, mas ficou foda.

CLIENT: “I cannot access the internet.”
ME: “Ok, I can help with that. What have you tried so far?”
CLIENT: “I clicked on internet explorer and all I see is this MSN crap!”
ME: “That is the internet.”
CLIENT: “No this is not! I want the internet.”

[I was so stumped for a while, but then inspiration struck]

ME: “Look at the top of your screen. Do you see where msn.com is? Great! Click there and delete that text. Now, type google.com and press enter.”
CLIENT: “Great, thanks so much for your help!”

Via Clients from Hell.

Você assistiu Pineapple Express e talvez Freaks & Geeks. Mas o cara diz que não fuma um, é só atuação. Certo.

Certo ele. Mais fotos no Buzzfeed.

Psicodelia mulheril ao som de Radiohead remixado pelo U.N.K.L.E.

4:20

Via Bit Rebels.

Acordado!

Ao menos isso. Via A Boy Named Charlie Brown.

Vem música nova aí. Foi a Mallu ou o Jeneci que acenderam essa vaibe Little Joy no Camelo? Se ele voltar pro pop… Ah, se ele voltar pro pop…

Vamos ver se agora você consegue…