Trabalho Sujo - Home

Inferninho Trabalho Sujo apresenta Tutu Naná e Caio Colasante @ Porta Maldita (13.6)

Desaniversário | 7.3.2026

Rodrigo Coelho e Marina Nemésio apresentam João 1958 @ Casa de Francisca (11.3)

Centro da Terra: Março de 2026

La Roux – “I’m Not Your Toy”

Eb Bb F Cm
Love, love is like a stubborn youth,
That you’d rather just deny,
I’m walking on a broken roof,
And I’m looking at the sky

Cm Bb
Yes its all false love and affection,
F Cm
you don’t want me you just like the attention.

Eb Bb
I’m not your toy,
F Cm
And this isn’t another girl meets boy.

Xx – “Crystalised”

Em
You’ve applied the pressure
Bm A
To have me crystalised
Em
And you’ve got the faith
Bm A
That I could bring paradise

Em
I’ll forgive and forget
Bm A
Before I’m paralysed
Em
Do I have to keep up the pace
Bm A
To keep you satisfied

Em
Things have gotten closer to the sun
Bm A
And I’ve done things in small doses
Em
So don’t think that I’m pushing you away
Bm A
When you’re the one that I’ve kept closest

Em
Ahh ahh ahh
Bm A
Ahh ahh ahh
Em
Ahh ahh ahh
Bm A
Ahh ahh ahh

Em
You don’t move slow
Bm A
Taking steps in my directions
Em
The sound resounds, echo
Bm A
Does it lesson your affection
No

Em
You say I’m foolish
Bm A
For pushing this aside
Em
But burn down our home
Bm A
I won’t leave alive

Em
Glacies have melted to the sea
Bm A
I wish the tide would take me over
Em
I’ve been down on my knees
Bm A
And you just keep on getting closer

Em
Ahh ahh ahh
Bm A
Ahh ahh ahh
Em
Ahh ahh ahh
Bm A
Ahh ahh ahh

Em
Glacies have melted to the sea (Things have gotten closer to the sun)
Bm A
I wish the tide would take me over (And I’ve done things in small doses)
Em
I’ve been down onto my knees (So don’t think that I’m pushing you away)
Bm A
And you just keep on getting closer (When you’re the one that I’ve kept closest)

Em
Go slow
Bm A
Go slow
Em
Go slow
Bm A
Go slow
Go slow

Miike Snow – “Animal”

E A C#m
There was a time when my world was filled with darkness, darkness, darkness
E A
And I stopped dreaming now I’m supposed to fill it up with
C#m
something, something , something

E A C#m
In your eyes I see the eyes of somebody i knew before long long long ago
E A
But I’m still trying to make my mind up
C#m
Am I free or am I tied up

E A C#m
I change shapes just to hide in this place but I’m still, I’m still an animal
E A
Nobody knows it but me when i slip yeah i slip
C#m
I’m still an animal

E A C#m
There is a hole and i tried to fill up with money, money , money
E A
But it gets bigger to your hopes is always
C#m
Running,running,running

E A
In your eyes I see the eyes of somebody of who could be strong
C#m
Tell me if I’m wrong
E A
And now I’m pulling your disguise up
C#m
Or you free or are you tied up

E A C#m
I change shapes just to hide in this place but I’m still I’m still an animal
E A
Nobody knows it but me when I slip
C#m
I’m still an animal

E A C#m
I change shapes just to hide in this place but I’m still I’m still an animal
E A
Nobody knows it but me when I slip, yeah I slip
C#m
I’m still an animal

E A C#m
E A C#m

E A
I change shapes just to hide in this place
C#m
But I’m still, I’m still an animal
E A
Nobody knows it but me when i slip yeah i slip
C#m
I’m still an animal

E A
I change shapes just to hide in this place
C#m
But I’m still, I’m still an animal
E A
Nobody knows it but me when i slip yeah i slip
C#m
I’m still an animal

La Roux – “In for the Kill”

G#m E
We can fight our desires,
C#
ooooo-ooooo,
G#m
but when we start making fires.

G#m E
We can’t have it so hot,
C#
ooooo-ooooo,
G#m
whether we like it or not.

G#m E
They say we can love who we trust,
C#
ooooo-ooooo,
G#m
but what is love without lust?

G#m E
Two hearts with accurate devotions,
C#
ooooo-ooooo,
G#m
what are feelings without emotions?

Refrão
B E
I’m going in for the kill,
E
I’m doing it for a thrill,
F#
oh I’m hoping you’ll understand,
G#m
and now let go of my hand.
B E
I’m going in for the kill,
E
I’m doing it for a thrill,
F#
oh I’m hoping you’ll understand,
G#m
and now let go of my hand.

G#m E
C#
G#m E
C#

G#m E
I hang my hopes out on the line,
C#
ooooo-ooooo,
G#m
will they be ready for you in time?

G#m E
If you leave them out too long,
C#
ooooo-ooooo,
G#m
they’ll be withered by this song.

G#m E
Full-stops and exclamation-marks,
C#
ooooo-ooooo
G#m
my words stumble before I start.

G#m E
How far can you send emotions?
C#
ooooo-ooooo
C#
Can this bridge cross the ocean?

Refrão
B E
I’m going in for the kill,
E
I’m doing it for a thrill,
F#
oh I’m hoping you’ll understand,
G#m
and now let go of my hand.
B E
I’m going in for the kill,
E
I’m doing it for a thrill,
F#
oh I’m hoping you’ll understand,
G#m
and now let go of my hand.

B F#
Lets call to all to make peace,
E G#m
Lets by cold to create ease.
B F#m
Open darkness we can see,
E G#m
You’re not blind, borrow the light from me.

B E
I’m going in for the kill,
E
I’m doing it for a thrill,
F#
oh I’m hoping you’ll understand,
G#m
and now let go of my hand.

Hot Chip – One Life Stand

Talvez seja uma questão de ponto de vista, mas o fato é que o quarto disco do Hot Chip não deve ser encarado como um disco de dance music. Apesar das primeiras faixas a aparecer – o single “Take It In”, a faixa-título num clipe e “Thieves in the Night” que abre o disco – darem a entender que o grupo segue firme na pista de dança, One Life Stand é quase um álbum de baladas que, sinal dos tempos, apegam-se a uma batida. É o clima de melancolia e solidão que une não apenas as faixas citadas como todo o resto do disco, com o grupo regredindo sua personalidade robótica rumo à sombra e à noite do rock inglês dos anos 80. Por isso, não se distraia com o vácuo retrô de “I Feel Better”, que tenta recauchutar “La Isla Bonita” à base do autotune, e vá direto nesta “Slush”, que, apesar do solfejo inicial, resume o clima do disco num piano.


Hot Chip – “Slush“