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Chama Festival | 6.6.2026

Como Assim? e Earl Greys @ Aurora (19.4)

Inferninho Trabalho Sujo apresenta Isabella Sartorato e Celacanto @ Picles (23.6.2026)

Centro da Terra: Abril de 2026

The National – “Brainy”

F#m A
I’ve been draggin around from the end of you coat for two weeks, ah ah.
F#m A
Everywhere you go is swirlin, everything you say has water under it, ah ah.
Bm (Db) D
You know I keep your fingerprints in a pink folder in the
F#m (Ab) A
middle of my table …. you’re the tall kingdom

Bm (Db) D
I surround, think I better follow you around

F#m (Ab) A

Bm (Db) D
You might need me more than you think you will
F#m (Ab) A
come home in the car you love, brainy brainy brainy

F#m A
I’ve been draggin around from the end of you coat for two weeks, ah ah.
F#m A
You keep changing you’re fancy fancy mind every time I decide to let go
Bm (Db) D
I was up all night again, boning up and reading the American dictionary
F#m (Ab) A
you’ll never believe me what I found think I better follow you around

F#m A
You might need me more than you think you will
F#m A
come home in the car you love, brainy brainy brainy
Bm (Db) D
You might need me more than you think you will
F#m (Ab) A
come home in the car you love, brainy brainy brainy

Belle & Sebastian – “If You Find Yourself Caught In Love”

D DMaj7 F#7
If you find yourself caught in love
G D
Say a prayer to the man above
G D
Thank him for everything you know
G D
You should thank him for every breath you blow

D DMaj7 F#7
If you find yourself caught in love
G D
Say a prayer to the man above
G D
Thank him for every day you pass
G D
You should thank him for saving your sorry ass

E
If you’re single, but looking out
A
You must raise your prayer to a shout
G Gadd11 G
Another partner must be found
Gm Gadd11 Gm
Someone to take your life beyond
Gadd11 Gm DMaj7
Another TV “I Love 1999”
A
Just one more box of cheapo wine

D DMaj7 F#7
If you find yourself caught in love
G D
Say a prayer to the man above

(same chords as VERSE 1 until Dmaj7)
E
But If you don’t listen to the voices then my friend
A
You’ll soon run out of choices
G Gadd11 G
What a pity it would be
Gm Gadd11 Gm
You talk of freedom don’t you see
Gadd11 Gm DMaj7
The only freedom that you’ll ever really know
A B
Is written in books from long ago
G Gadd11 A
Give up your will to Him that loves you
Bm G Gadd11
Things will change, I’m not saying overnight
A
You’ve gotta start somewhere
Bm A
Start by kidding all you care

D DMaj7 F#7
G D
G D
G D

D D7
If you find yourself out of love
Gm D
Shed a tear for the one you love
Gm D
Tell your boss that you’ve gone away
Gm D
Down your tools for a holiday

E
If you’re going off to war then I wish you well
A
But don’t be sore
G Gadd11 G
If I cheer the other team
Gm Gadd11 Gm
Killing people’s not my scene
Gadd11 Gm DMaj7
I prefer to give the inhabitants a say
A B
Before you blow their town away
G Gadd11 A
I like to watch them play
Bm G Gadd11 A
I like to marvel at the random beauty of a simple village girl
Bm A
Why should she be the one who’s killed?

Belle & Sebastian – “If She Wants Me”

C G
I wrote a letter on a nothing day
C G
I asked somebody “Could you send my letter away?”
C G C G
“You are too young to put all of your hopes in just one envelope”

C G
I said goodbye to someone that I love
C G
It’s not just me, I tell you it’s the both of us
C G
And it was hard like coming off the pills
C G
That you take to stay happy

C G
Someone above has seen me do alright
C G
Someone above is looking with a tender eye
C G
Upon her face, you may think
C G
You’re alone but you may think again
(GM7)

C Gm7
If I could do just one near perfect thing I’d be happy
C Gm7
They’d write it on my grave, or when they scattered my ashes
Am C
On second thoughts I’d rather hang about and be there with my best
friend
Gm7
If she wants me

C G
And far away somebody read the letter
C G
He condescends to read the words I wrote about him
C G C G
And if he smiles, it’s no more than a genius deserves
C G
For all your curious nerve and your passion

C G
I’m going deaf, you’re growing melancholy
C G
Things fall apart, I don’t know why we bother at all
C G C G
But life is good and “It’s always worth living at least for a while”

C Gm7
If I could do just one near perfect thing I’d be happy
C Gm7
They’d write it on my grave, or when they scattered my ashes
Am C
On second thoughts I’d rather hang about and be there with my best
friend
Gm7
If she wants me

C G
If you think to yourself “What should I do now?”
C G
Then take the baton, girl, you better run with it
C G C G
There is no point in standing in the past cause it’s over and done with

C G
I took a book and went into the forest
C G
I climbed the hill, I wanted to look down on you
C G
But all I saw was twenty miles of wilderness so I went home

Built to Spill – “Center of the Universe”

E A
I heard what I said to you
B A
And it was so out of sync
E A
With the way I wanted to
B A
Make myself out to seem

E C#m
I don’t like this air
B A
But that doesn’t mean I’ll stop breathing it
E C#m
Who doesn’t think they’re at
B A
The center of the universe Being it
B F#m A
Don’t, look, now,
B F#m A
Just, keep, watching your TV Hating what’s to see
Waiting for someone to say something that’s right!

E A
I heard what I said to you
B A
Thought it was all understood
E A
But I wasn’t getting through
B A
I’d go on if I could

E C#m
I don’t like this air
B A
But that doesn’t mean I’ll stop breathing it
E C#m
Who doesn’t think they’re at
B A
The center of the universe Being it
B F#m A
Don’t, look, now,
B F#m A
Just, keep, watching your TV Hating what’s to see
Waiting for someone to say something that’s right!

Black Kids – “I’m Not Gonna Teach Your Boyfriend How To Dance With You”

Intro: F G C Am

F G
You are the girl that I’ve been dreaming
C Am
of ever since I was a little girl.

F
One!
I’m biting my tongue.
G
Two!
He’s kissin’ on you.
C
Three!
Oh, why can’t you see?
Am
One! Two! Three! Four!

F G
The word’s on the streets and it’s on the news:
C Am
I’m not gonna teach him how to dance with you.
F G
He’s got two left feet and he bites my moves.
C Am
I’m not gonna teach him how to dance! dance! dance! dance!
F G
The second I do, I know we’re gonna be through.
C Am
I’m not gonna teach him how to dance with you.
F G
He don’t suspect a thing. I wish he’d get a clue.
C Am
I’m not gonna teach him how to dance! dance! dance! dance!

F
One!
I’m biting my tongue.
G
Two!
He’s kissin’ on you.
C
Three!
Is he better than me?

F G
The word’s on the streets and it’s on the news:
C Am
I’m not gonna teach him how to dance with you.
F G
He’s got two left feet and he bites my moves.
C Am
I’m not gonna teach him how to dance! dance! dance! dance!
F G
The second I do, I know we’re gonna be through.
C Am
I’m not gonna teach him how to dance with you.
F G
He don’t suspect a thing. I wish he’d get a clue.
C Am
I’m not gonna teach him how to dance! dance! dance! dance!

F G
C Am

F G
C Am

Falou

Que clipe foda. Com ele, me despeço por enquanto – tou vazando, volto segunda, bom fim de semana. E assistam ao Inception: segunda dedicarei o dia a ele. Estejam avisados.

“Não use ponto e vírgula”

“Não use ponto e vírgula. Eles não querem dizer nada. São travestis hermafroditas. São só uma forma de exibicionismo. De mostrar que você foi para a universidade”

Assim Kurt Vonnegut inicia uma ótima palestra sobre escrita, criação e observação do mundo chamada Como Arrumar um Emprego como o Meu (em inglês). As partes seguintes vêm nos links a seguir: parte 2, parte 3, parte 4 e parte 5. Dica do Kottke.