A exposição The Lebowski Cycle, de Joe Forkan (na foto acima), revê o uso de estilos e técnicas de pinturas clássicas européias de determinados momentos históricos recriados a partir de cenas do clássico filme dos irmãos Coen. Em seu site, Forkan explica melhor:

The Lebowski Cycle is a series of paintings and drawings exploring layered narratives, using masterpieces of European art and the 1998 Coen Brothers’ film The Big Lebowski as a starting point. The series is the result of a longstanding interest in narrative painting, particularly paintings from the Baroque and Neoclassical eras; complex figurative works that depict grand story arcs, compressing a multitude of thoughts, ideas and emotions into a singular image. However, it is the human interactions and conflicts, formal qualities, and modes of depiction that were as interesting to me as the specific stories.

I wanted to explore these ideas, but looked for a way to mitigate the grand seriousness that historical and religious paintings often contain. I started thinking about The Big Lebowski, (a favorite film, obviously) trying to imagine how the characters, humor and preposterous story arc of the film might be enlisted to explore multiple points of view, moods, and intentions if combined with themes and titles from well-known works of European art.

The combination led to hybrid images that reference art history, film, and contemporary art, from sources that inform, overlap and may even contradict each other, all run back through the imprecise language of painting.

A exposição começou no dia 10 deste mês e vai até o dia 28 do mês que vem, no Frank M. Doyle Arts Pavilion, na Califórnia.