Vida Fodona #685: Festa-Solo (24.10.2020)

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É oficial: Festa-Solo agora acontece sempre às sextas. Esta foi a edição surpresa que marcou a mudança.

Arctic Monkeys – “Do I Wanna Know?”
Radiohead – “Daydreaming”
Sonic Youth – “Incinerate”
Postal Service – “Such Great Heights”
Grandaddy – “The Crystal Lake”
Girls – “Honey Bunny”
!!! – “Heart of Hearts”
LCD Soundsystem – “One Touch”
Cut Copy – “Hearts on Fire (Holy Ghost Remix)”
Daft Punk – “Get Lucky (Drop Out Orchestra Edit)”
Miami Horror – “Love Like Mine”
Modjo – “Lady (Kaytranada Remix)”
Music Go Music – “Warm in the Shadows”
Lana Del Rey – “Blue Jeans (Penguin Prison Remix)”
Funkadelic – “One Nation Under a Groove”
Pink Floyd – “Money”
Temptations – “Papa was a Rolling Stone”
Bob Dylan – “The Man In Me”
Big Star – “The Ballad of El Goodo”
David Bowie – “Young Americans”
Queen – “Don’t Stop Me Now”
Portishead – “All Mine”
Massive Attack – “Unfinished Sympathy”
Stevie Wonder – “I Wish”
Scissor Sisters – “Laura”
Rádio Taxi – “Garota Dourada”
Tulipa Ruiz – “Prumo”
Pepeu Gomes – “Sexy Yemanja”
Rita Lee – “Mamãe Natureza”
Sandra de Sá – “Olhos Coloridos”
Daft Punk – “Lose Yourself to Dance”
Haim – “The Steps”
Fleetwood Mac – “Dreams”
Fiona Apple – “Shameika”
Alanis Morrissette – “Ironic”
Smashing Pumpkins – “1979”
Cure – “One Hundred Years”
Joy Division – “Transmission”
Fellini – “A Melhor Coisa Que Eu Fiz”
Pedro Pastoriz – “Janela”

Oi Lana Del Rey

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Mal lançou seu áudio-livro Violet Bent Backwards Over The Grass e nossa querida Lana Del Rey já começa a mostrar trabalho – na verdade, ela anunciou logo que lançou o festejado Norman Fucking Rockwell no ano passado que já tinha outro disco pronto e que iria lançá-lo em 2020. Eis que agora, sem antecipar nada, ela saca a bela balada “Let Me Love You Like A Woman”, mais uma vez produzida por Jack Antonoff e começa a mostrar Chemtrails Over the Country Club.

Não duvide que venha outro discão por aí…

Vida Fodona #682: Festa-Solo (5.10.2020)

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É feriado, mas é segunda e tem mais um Vida Fodona ao vivo a partir das 21h no Twitch.tv/trabalhosujo – o da semana passada foi assim…

Pink Floyd – “San Tropez”
Maurício Pereira – “Os Amigos ou O Coração é Um Órgão”
Mark Sandman – “Brazil”
Unknown Mortal Orchestra – “From the Sun”
Thundercat – “Friend Zone”
Spoon – “Hot Thoughts”
Cassiano – “Onda (Poolside & Fatnotronic Edit)”
Santogold – “L.E.S. Artistes”
M83 – “Midnight City”
Magic – “Rude”
Cornershop – “Who Fingered Rock ‘n’ Roll”
Girls – “Honey Bunny”
Jon Spencer Blues Explosion – “Afro”
Bo Diddley – “Who Do You Love?”
Screaming Jay Hawkins – “I Put a Spell on You”
Frank Ocean – “Lost”
Major Lazer – “Lean On”
Katy Perry + Juicy J – “Dark Horse”
Dua Lipa + DaBaby – “Levitating”
Lauryn Hill – “Everything Is Everything”
Lana Del Rey – “Florida Kilos”
Edwin Birdsong – “Cola Bottle Baby”
Eddy Grant – “Electric Avenue”
KC & The Sunshine Band – “Keep It Comin’ Love”
Mcfadden & Whitehead – “Ain’t No Stoppin’ Us Now”
Tim Maia – “A Fim de Voltar”
Dolly Parton – “9 to 5”
Dusty Springfield – “Son of a Preacher Man”
Echo & The Bunnymen – “Bring On The Dancing Horses”
U2 – “Desire”
Lulu Santos – “Um Certo Alguém”
Marina Lima – “Corações a Mil”
Mano Brown + Don Pixote + Seu Jorge – “Dance, Dance, Dance”
Rita Lee – “Jardins Da Babilônia”
Roxy Music – “Ladytron”
XTC – “Here Comes President Kill Again”
Beach Boys – “I Was Made to Love Her”
Velvet Underground – “One of These Days”
Pretenders – “Back On The Chain Gang”
Jam – “Town Called Malice”
Supremes – “You Can’t Hurry Love”
Phil Collins – “You Cant Hurry Love”
Doors – “Love Street”
Cure – “A Forest”
Beatles – “You Never Give Me Your Money (Instrumental)”
Beatles – “Sun King (Instrumental)”
Beatles – “Polythene Pam (Instrumental)”
Beatles – “She Came In Through The Bathroom Window (Instrumental)”
Beatles – “Golden Slumbers (Instrumental)”
Beatles – “Carry That Weight (Instrumental)”
Beatles – “The End (Instrumental)”
Beatles – “Her Majesty (Instrumental)”
Beatles – “Come Together (Instrumental)”

Vida Fodona #674: Festa-Solo (7.9.2020)

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Mais uma segunda, mais um Festa-Solo ao vivo na twitch.tv/trabalhosujo a partir das 21h – este foi o da semana passada. Quem vem hoje?

Haim – “Summer Girl (Amber Mark Remix)”
Dua Lipa – “Pretty Please”
Jessie Ware – “Spotlight”
Pet Shop Boys – “West End Girls”
Letrux – “Coisa Banho de Mar (Tin God Remix)”
Waterboys – “The Whole of the Moon”
Joe Goddard + Betsy – “Endless Love”
LA Priest – “What Moves (Soulwax Remix)”
New Order – “Bizarre Love Triangle”
Lizzo – “Juice”
Cut Copy – “Hearts on Fire (Holy Ghost Remix)”
Chaka Khan – “I Feel For You”
Curtis Mayfield – “Superfly”
Bixiga 70 – “100% 13”
Karina Buhr – “Conta-Gotas”
Rita Lee – “Ovelha Negra”
Ritchie – “Vôo de Coração”
Orange Juice – “Falling and Laughing”
Whitest Boy Alive – “1517”
Beta Band – “Dry the Rain”
Pink Floyd – “Free Four”
Cat Power – “The Greatest”
Van Morrison – “Astral Weeks”
Lana Del Rey – “Venice Bitch”
Weyes Blood – “Wild Time”
Angel Olsen – “(We Are All Mirrors)”
Stephen Malkmus – “Shadowbanned”
Ariel Pink’s Haunted Graffiti – “Round and Round”
Bárbara Eugênia – “Coração”
Amy Winehouse – “You Know I’m No Good”
Arctic Monkeys – “You Know I’m No Good”
Al Kooper + Shuggie Otis – “Lookin’ for a Home”
Beatles – “Happiness Is A Warm Gun”

Vida Fodona #672: Festa-Solo (31.8.2020)

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O último Festa-Solo de agosto está aqui  – e nesta segunda rola o primeiro de setembro lá no twitch.tv/trabalhosujo, a partir das às 21h.

Stranglers – “Golden Brown”
Washed Out – “Too Late”
Boogarins – “Água”
Cut Copy – “Like Breaking Glass”
Ladyhawke – “Paris is Burning”
Kaytranada + Kali Uchis – “10%”
Prince – “1999”
LCD Soundsystem – “One Touch”
Knife – “We Share Our Mother’s Health”
Tame Impala – “Nothing That Has Happened So Far Has Been Anything We Could Control”
Doors – “Horse Latitudes” / “Moonlight Drive”
Mutantes – “Caminhante Noturno”
Sérgio Sampaio – “Não Tenha Medo Não (Rua Moreira 64)”
Ana Frango Elétrico – “Promessas e Previsões”
Negro Leo – “Eu Lacrei”
Billie Eilish – “My Future”
Daft Punk – “Giorgio by Moroder”
Evinha – “Esperar pra Ver (Poolside & Fatnotronic Edit)”
Can – “Vitamin C”
Stereolab – “Metronomic Underground”
Kavinsky + Lovefoxxx – “Nightcall”
Mahmundi – “Nova TV”
Pelados – “O Fim”
Pedro Pastoriz – “Janela”
Tatá Aeroplano – “Deusa de 67”
Tika + Kika + João Leão + Igor Caracas – “Astronauta”
Bob Dylan – “Black Rider”
Jenny Lee – “I’m So Tired”
Michael Stipe + Big Red Machine – “No Time For Love Like Now”
Whitest Boy Alive – “Serious”
Michael Jackson – “Rock With You”
Madonna – “Lucky Star”
Marcos Valle – “Estelar”
Marina Lima – “Fullgás”
Lana Del Rey – “Blues Jeans (Penguin Prison Remix)”
Lipps Inc. – “Funkytown”
Lincoln Olivetti & Robson Jorge – “Eva”
Autoramas – “Garotos II”
Sharon Van Etten + Josh Homme – “(Whats So Funny Bout) Peace, Love and Understanding”

Vida Fodona #671: Alta madrugada

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Primeiro programa de setembro.

Sandra de Sá – “Ilusões”
Poolside + Todd Edwards – “Getting There From Here”
Nicolas Jaar – “Keep Me There”
Lana Del Rey – “Ultraviolence”
Chromatics – “Teacher”
David Bowie – “TVC15”
Fleetwood Mac – “Dreams”
Letuce – “Animadinha”
LA Priest – “What Moves (Soulwax Remix)”
Mayer Hawthorne – “It’s Gonna Take A Long Time (Silly Pilly Edit)”
Tame Impala – “Is It True (Four Tet Remix)”
Steve Winwood – “Valerie”
Elga Flanger – “W.T.K.U.B.L.”
Cut Copy – “Like Breaking Glass”
Dude You Feel Electrical – “Shout Out Out Out Out”
Simian Mobile Disco – “Hustler”
Kenna – “Say Goodbye to Love”

Vida Fodona #667: Certeza que o inferno é frio

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Ninguém merece essa temperatura…

Azymuth – “As Curvas da Estrada de Santos”
Negro Leo – “Esplanada”
Tatá Aeroplano – “Trinta Anos Essa Noite”
Taylor Swift – “The Lakes”
Weyes Blood – “Wild Time”
Caetano Veloso – “You Don’t Know Me”
Pink Floyd – “Sheep”
Carole King – “Beautiful”
Chico Buarque – “Pelas Tabelas”
Hot Chip – “Flutes”
Tame Impala – “Is It True (Four Tet Remix)”
Chromatics – “Twist The Knife (8 Track Instrumental)”
Lana Del Rey – “LA Who Am I to Love You”
Khruangbin – “Dern Kala”
Doors – “The Changeling”
Bonifrate – “Psykick Dancehall”
Herb Alpert – “This Guy’s In Love With You”
Angel Olsen – “Waving, Smiling”

Lana Del Rey remixada pelo Weeknd

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Revisitando o tempo de seu disco Kiss Land no programa Memento Mori, da Apple Music, o canadense Abel Tesfaye, que todos conhecemos como The Weeknd, aproveitou a oportunidade para revisitar faixas demo ou não-lançadas da época do álbum, entre elas sua primeira colaboração com Lana Del Rey, bem antes de ela participar de “Stargirl Interlude” em seu disco de 2016 Starboy e de ele participar da faixa título do disco dela no ano seguinte, Lust for Life. Há sete anos, os dois dividiram vocais da faixa “Money Power Glory” do segundo disco oficial de Lana, Ultraviolence, que ele remixou incluindo sua voz. O dueto finalmente aparece agora.

Vida Fodona #661: Pra dançar

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Chega mais.

INXS – “Need You Tonight”
Dua Lipa – “Break My Heart”
Daft Punk – Lose Yourself to Dance
Billie Eillish – “My Future”
Jessie Ware – “Adore You”
Poolside – “Around The Sun (Body Music Remix)”
Pharrell – “Frontin'”
Curumin – “Selvage”
Tulipa Ruiz – “Físico”
Mano Brown + Don Pixote + Seu Jorge – “Dance, Dance, Dance”
A Cor do Som – “Zanzibar”
Rincon Sapiência – “Ponta de Lança (Verso Livre)”
Di Melo – “Kilariô”
Curtis Mayfield – “Freddie’s Dead”
Beastie Boys – “Three Mc’s And One DJ”
KC & The Sunshine Band – “Keep It Comin’ Love”
Les Rhytmes Digitales – “Sometimes”
Lana Del Rey – “Blue Jeans (Penguin Prison Remix)”
Metronomy – “The Bay”.

Lana Del Rey testa os limites entre disco e livro

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O meio é a mensagem: a nova obra de Lana Del Rey, Violet Bent Backwards Over the Grass, não é um disco, mesmo que ela esteja nos vocais e seja acompanhada musicalmente pelo produtor e braço direito Jack Antonoff. Mas o que determina este formato? Tal apresentação de poemas poderia ser tranquilamente um disco de spoken word, uma vez que ela lê seus textos sobre bases instrumentais, como ela mostrou no único poema que disponibilizou no YouTube, o fluxo de consciência beat “LA Who Am I to Love You?”, uma ode à sua cidade favorita:

“I left my city for San Francisco
Took a free ride off a billionaire’s jet
L.A., I’m from nowhere, who am I to love you?
L.A., I’ve got nothing, who am I to love you when I’m feeling this way and I’ve got nothing to offer?
L.A., not quite the city that never sleeps
Not quite the city that wakes, but the city that dreams, for sure
If by dreams you mean in nightmares

L.A., I’m a dreamer, but I’m from nowhere, who am I to dream?
L.A., I’m upset, I have complaints, listen to me
They say I came from money and I didn’t, and I didn’t even have love, and it’s unfair
L.A, I sold my life rights for a big check and I’m upset
And now I can’t sleep at night and I don’t know why
Plus, I love Zac, so why did I do that when I know it won’t last?

L.A., I picked San Francisco because the man who doesn’t love me lives there
L.A., I’m pathetic, but so are you, can I come home now?
Daughter to no one, table for one
Party of thousands of people I don’t know at Delilah where my ex-husband works
I’m sick of this, but can I come home now?
Mother to no one, private jet for one
Back home to the Tudor house that borned a thousand murder plots
Hancock Park, it’s treated me very badly and resentful
The witch on the corner, the neighbor nobody wanted
The reason for Garcetti’s extra security
L.A., I know I’m bad, but I have nowhere else to go, can I come home now?
I never had a mother, will you let me make the sun my own for now, and the ocean my son?
I’m quite good at tending to things despite my upbringing, can I raise your mountains?
I promise to keep them greener, make them my daughters, teach them about fire, warn them about water
I’m lonely, L.A., can I come home now?

I left my city for San Francisco
And I’m writing from the Golden Gate Bridge
But it’s not going as I planned
I took a free ride off a billionaire and brought my typewriter and promised myself that I would stay but
It’s just not going the way that I thought
It’s not that I feel different, and I don’t mind that it’s not hot
It’s just that I belong to no one, which means there’s only one place for me
The city not quite awake, the city not quite asleep
The city that’s still deciding how good it can be

And also
I can’t sleep without you
No one’s ever really held me like you
Not quite tightly, but certainly I feel your body next to me
Smoking next to me
Vaping lightly next to me
And I love that you love the neon lights like me
Orange in the distance
We both love that
And I love that we have that in common
Also, neither one of us can go back to New York
For you, are unmoving
As for me, it won’t be my city again until I’m dead
Fuck the New York Post
L.A., who am I to need you when I’ve needed so much, asked for so much?
But what I’ve been given, I’m not sure yet
I may never know that either until I’m dead
For now, though, what I do know
Is, although, I don’t deserve you
Not you at your best and your splendor
With towering eucalyptus trees that sway in my dominion
Not you at your worst
Totally on fire, unlivable, unbreathable, I need you

You see, I have no mother
And you do
A continental shelf
A larger piece of land from where you came
And I?
I’m an orphan
A little seashell that rests upon your native shores
One of many, for sure
But because of that, I surely must love you closely to the most of anyone

For that reason, let me love you
Don’t mind my desperation
Let me hold you, not just for vacation
But for real and for forever
Make it real life
Let me be a real wife to you
Girlfriend, lover, mother, friend
I adore you
Don’t be put off by my quick-wordedness
I’m generally quite quiet
Quite a meditator, actually
I’ll do very well down by Paramhansa Yogananda’s realization center, I’m sure
I promise you’ll barely even notice me
Unless you want to notice me
Unless you prefer a rambunctious child
In which case, I can turn it on, too
I’m quite good on the stage as you may know
You might have heard of me
So either way, I’ll fit in just fine
So just love me by doing nothing
And perhaps, by not shaking the county line
I’m yours if you’ll have me
(Quietly or loudly, sincerely your daugther)
But regardless, you’re mine”

Acontece que Violet Bent Backwards Over the Grass só vai estar disponível em plataformas e aplicativos que lidam com áudio-livros, mas não nas plataformas digitais de música. As coisas ficam mais complicadas quando ela também anuncia que a obra terá não apenas uma, mas três versões físicas: o livro, o vinil e o CD. Será que o repasse dos direitos autorais nas plataformas digitais para livros lidos é melhor que a das de música? A decisão certamente não é só estética – eis o LP e o CD do livro que não deixa mentir…

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E a imagem que ilustra este post é um retrato de Lana feito por ninguém menos que Joan Baez.