Nathanial Hörnblowér era o nome que MCA usava para assinar os clipes dos Beastie Boys – Nathaniel é seu nome do meio -, que aos poucos se metamorfoseou num personagem, um suíço extravagante (sempre usando roupa de tirolês) que foi apresentado ao público em 1992…
… mas teve seu primeiro grande momento de fama quando o clipe de “Everybody Hurts”, do R.E.M., derrotou o de “Sabotage”, dirigido por Spike Jonze:
Nathanial já foi vivido pelo comediante David Cross em pelo menos duas oportunidades: num extra de Awesome; I Fuckin’ Shot That!…
…e no clipe de “Make Some Noise”, o curta Fight for Your Right Revisited:
Mas além do personagens, temos os vídeos. E é uma pequena amostra do talento de Yauch como diretor, veja abaixo:
Enquanto preparo minhas homenagens à importância dos Beastie Boys, pinço essa “A Year and a Day”, soterrada no Bouillabaisse do final do Sgt. Pepper’s da minha geração (Paul’s Boutique, porra!). O ano é 1989, mas ele não era só um pós-adolescente, mas um jovem mestre.
M.C. for what I AM and do
the A is for Adam and the lyrics; true
so as pray and hope and the message is sent
and I AM living in the dreams that I have dreamt
because I’m down with the three the unstoppable three
me and Adam and D. were born to M.C.
and my body and soul and mind are pure
not polluted or diluted or damaged beyond cure
just lyrics from I to you recited
arrested, bailed but cuffed and indicted
enter the arena as I take center stage
the lights set low and the night has come of age
take the microphone in hand as that I am a professional
speak my knowledge to the crowd and the ed. is special
for I AM a bard but not the last one
I’m my own king and this is my castle
dwell in realms of now but vidi those of the past
seen a glimpse from ahead and I don’t think it’s gonna last
and you can bet your ass
I’m fishing with my boat and I’m fishing for trout
mix the Bass Ale with the Guiness Stout
fishing for a line inside my brain
and looking out at the world through my window pane
every day has many colors cuz the glass is stained
everything has changed but remains the same
so once again the mirror raised and I see myself as clear as day
and I AM going to the limits of my ultimate destiny
feeling as though Somebody were testing me
He who sees the end from the beginning of time
looking forward through all the ages is, was and always shall be
check the prophetic sections of the pages
E tudo isso sobre a base de “Who’s That Lady“, dos Isley Brothers, gravado originalmente com o microfone de um capacete de piloto de guerra.
Duas horas de celebração da importância de um jovem mestre.
Beastie Boys – “Ch-Check It Out”
Beastie Boys – “Root Down”
Beastie Boys – “Three MC’s And One DJ (Live Video Version)”
Beastie Boys – “Hey Ladies”
Beastie Boys – “Stand Together”
Beastie Boys – “The New Style”
Beastie Boys – “Make Some Noise”
Beastie Boys – “Shadrach”
Beastie Boys – “Sabotage”
Beastie Boys – “Pass the Mic”
Beastie Boys – “Body Movin’ (Fatboy Slim Remix)”
Beastie Boys – “Slow and Low”
Beastie Boys – “High Plains Drifter”
Beastie Boys – “So What’Cha Want”
Beastie Boys – “No Sleep Till Brooklyn”
Beastie Boys + Santigold – “Don’t Play No Games That I Can’t Win”
Beastie Boys – “Groove Holmes”
Beastie Boys – “Lighten Up”
Beastie Boys – “Ricky’s Theme”
Beastie Boys + Scratch Lee Perry – “Dr. Lee, PhD”
Beastie Boys – “Suco de Tangerina”
Beastie Boys – “Pow”
Beastie Boys – “Triple Trouble”
Beastie Boys – “Skills to Pay the Bills”
Beastie Boys – “Shake Your Rump”
Beastie Boys – “Hold It Now, Hit It”
Beastie Boys – “Sure Shot”
Beastie Boys – “Intergalactic”
Beastie Boys – “Flute Loop”
Beastie Boys – “In 3’s”
Beastie Boys – “The Melee”
Beastie Boys – “Transitions”
Beastie Boys – “Namasté”
Beastie Boys – “Fight for Your Right (To Party)”
Beastie Boys + Miho Hatori – “I Don’t Know”
